Tag Archives: Larasati Auctioneers

Rare artworks go under the hammer in the July Larasati Bali auction

Lot 706 "Head of Ayu Ketut" Miguel Covarrubias, lithograph. Image courtesy Larasati                       Head of Ayu Ketut –  Miguel Covarrubias, lithograph

 

The most exciting selection of traditional, modern and contemporary art works for more than a year highlight the second Larasati Bali auction for 2019. Ninety-two items will be offered in the upcoming 20 July, Larasati Traditional, Modern & Contemporary Art Auction to be held at the Larasati Bali Art Space at Tebesaya Gallery, Ubud. The sale has good buying opportunities for those interested in starting a collection, mid level collectors, people with an eye for investing, and of course will attract much attention from the connoisseurs of Balinese painting.

Many distinguished Balinese and international artists are featured in the sale that boasts some unique paintings that are rarely available on the market. The sale, which begins at Saturday 2:30 PM, includes old Balinese masters Ida Bagus Made Poleng, Ida Bagus Made Nadera, Ida Bagus Rai, Wayan Gedot, Anak Agung Gde Meregeg, and Ida Bagus Made Togog, while a rare set of sixteen drawings from the personal sketchbook of the renowned Ida Bagus Nyoman Rai (1915-2000) from Sanur is also available.

Lot 716 "Suasana Pasar Bali" 2006 I Gusti Agung Wiranata. Image courtesy of Larasati                         Suasana Pasar Bali, 2006  – I Gusti Agung Wiranata

 

The works available are in an array of media including sketches in ink and chalk on paper, watercolour, and gouache works on paper, acrylic and oil paintings on canvas, along with mixed media, an etching, lithographs and lithograph reproductions. Some paintings offered come with good local and international provenance.

The sale begins with Indo European Painters of Bali, a selection of nine works by the Willem Gerard Hofker (1902-1981 the Netherlands), Migeul Covarrubias (1904 – 1957 Mexico) and Rudolf Bonnet (1895 – 1978, the Netherlands). Lot 705, Rice Granary, Bali, a lithograph by Covarrubias has an estimated price of between Rp.17 – 12 million. Lot 707 Yogi,1973 by Bonnet is a remarkable watercolour depiction on paper and comes with an estimated price of between Rp30 – 40 million, and Lot 709 by Hofker is an extremely rare oil on canvas self-portrait. A Self Portrait of the Artist, 1961, comes with an estimated price of between Rp. 45 – 55 million.

Lot 753 "Woman with Offering at the Sawah Scene" - Ida Bagus Made Poleng Acrylic on canvas. Image courtesy of Larasati            Woman with Offering at the Sawah Scene – Ida Bagus Made Poleng

 

For those wishing to begin collecting Balinese art there is good, well priced opportunities available. Lot 745 Pementasan Calonarang is an early work by one of the senior and most respected painters of the Yong Artists Style, I Ketut Soki (b. 1946, Penestanan, Ubud). With the distinct, dynamic coloration that defines the genre, this work has an estimated price of between Rp. 7 – 10 million. Another attractive buy, an early work by another senior painter of the same style, I Made Sinteg, is Lot 746 Forest Scene which comes with an estimated price of between Rp 5 – 7 million.

Lot 728, Berburu by I Ketut Regig (Ubud, 1919-2002) has an estimated price of Rp. 5 – 7 million, Mythological Scene, Lot 791 by I Gusit Nyoman Moleh (1918 – 1997) comes with an estimated price of between Rp 7 – 10 million, and Lot 729, Ikan-ikan, a rare small acrylic work by I Made Sukada (Ubud 1945 – 1982) with an estimated price of Rp 2.6 – 3.6 million are also good opportunities for beginners to enter the market.

Lot 728 "Berburu" - Ketut Regig, acrylic on canvas. Image courtesy of Larasati                                        Berburu – Ketut Regig

 

Collecting with an eye for investment? The following lots provide strong investment opportunities especially if purchased within the estimated prices and then matched with a long term view of holding for at least 10 – 15 years before reselling. I Gusti Ayu Kadek Murniashi (Murni) (1966-2006) is agruably Indonesia’s most important female artist and has been recently featured in many exhibitions in high profile Indonesian galleries.

Lot 786, Saya Bahagia Sekali di Hari Itu has an estimated price of between Rp. 15 – 18 million, and also with the same estimated price, Lot 787 Antar Benci dan Rindu dan Tahan Malu Penyayang, 1999, both are good buys from the artist whose work is destined to appreciate in value. An unusually strong colour composition by the influential Dutch painter who spent most of his life in Indonesia, Arie Smit, (1916-2016) Lot 747, Passing the Shrines, 2010, has an estimated price of Rp. 27 – 35 million, and finally Lot 739, Tualen by the colourful Italian-Filipino maestro Antonio Blanco (1911-1999), is a gouache on paper work with an estimated price of Rp. 4 – 5 million, are all good investment grade buys.

Lot 783 "Love Bird" 2007 - Ketut Teja Astawa Acrylic on canvas. Image courtesy of Larasati                                 Love Bird, 2007 – Ketut Teja Astawa

 

For the connoisseurs there are many paintings to choose from, and here are but a few of the highlights, Ramayana Scene, Lot 723 is an early watercolour and ink on paper work by I Made Sukada (Ubud 1945 – 1982) that comes with an estimated price of between Rp. 25 – 35 million.

Ganesha Bertapa, Lot 725, is a beautiful, early ink and watercolour on paper by Wayan Radjin (Batuan 1945-2010) and has an estimated price of between Rp. 20 – 30 million. Lot 748, Bali Life by Ida Bagus Nyoman Rai (1915-2000), is the set of sixteen ink on paper drawings each 34 x 24 cm that comes with an estimated price of between Rp. 70 – 90 million.

Ida Bagus Made Poleng (Tebesaya, Ubud1915-1999) is one of the most highly prized Balinese painters and his two works on offer will attract much attention. Lot 753, Woman with Offering at the Sawah Scene has an estimated price of Rp. 350 – 450 million and comes with strong provenance, and Lot 751 Cremation Ceremony, ca. 1940s, an 51 x 37 cm ink wash on paper, which was exhibited at the Herbert Johnson Museum at Cornell University, USA in 2001 has an estimated price of Rp. 100 – 130 million.

Lot 723 "Wayang Scene" - Made Sukada, watercolour & ink on paper. Image courtesy of Larasati                                    Wayang Scene – Made Sukada

 

Other works of note are Lot 769 by Ida Bagus Made Nadera (1910-1998) of Batuan, Lot 777 is an early painting by one of the pioneers of Balinese modern painting Nyoman Gunarsa (1944-2017), while Lot 783 and 784 are rare early works by Ketut Teja Astawa (b. Denpasar 1970), that were previously in the collection of a Dutch museum. Lot 764, Tari Kecak by I Nyoman Kayun (b. Ubud 1954) is a stunning work featuring all the drama and action of the Kecak dance, and Lot 716, Suasana Pasar di Bali, 2006 by I Gusti Agung Wiranata (b.1969) is also a delightful, yet rare masterpiece, his composition inspired by Walter Spies’ technical Western aspects, that has an estimated price of Rp. 60 – 80 million. Other well-known artists included in the sale are I Gusti Made Deblog, I Wayan Djudjul, Dewa Nyoman Jati, Sewa Putu Mokoh, I Made Wianta and I Ketut Pande Taman.

Potential buyers bidding over the phone, absentee bidders or real-time Internet bidders who are unable to attend the previews days or auction are advised to contact Larasati and enquire about the colour reproduction accuracy of the images contained within the online catalogue to ensure that what they wish to purchase can be realistically appraised. The absence of reference to the condition of a lot in the catalogue description does not imply that the lot is free from faults or imperfections, therefore condition reports of the works, outlining the paintings current state and whether it has repairs or over painting, are available upon request.

Lot 764 "Rahwana Menculik Dewi Sita" - Nyoman Kayun, Image courtesy of Larasati                     Rahwana Menculik Dewi Sita – Nyoman Kayun

 

Provenance, the historical data of the works previous owner/s is also important and is provided. An information guide including before the auction, during the auction and after the auction details, including conditions of business, the bidding process, payment, storage and insurance, and shipping of the work is also available. A buyer’s premium is payable by the buyer of each lot at rate of 22% of the hammer price of the lot.

Open to the public at the Larasati Art Space in the Tebesaya Gallery the auction starts at 2:30 pm Saturday 16 February, while viewing begins from 11am Thursday. The online catalogue, complete with a guide for prospective buyers is available at: www.larasati.com

Lot 769 "Berburu Campung" - Ida Bagus Made Nadera Acrylic on canvas. Image courtesy of Larasati                           Berburu Campung – Ida Bagus Made Nadera

 

 

Viewing:

Thursday,         18 July      11am – 7.30pm

Friday,              19 July     11am – 7.30pm

Saturday,         20 July     11am – 2pm

 

Auction: Saturday 20 July, from 2:30 pm

 

Larasati Bali Art Space at Tebesaya Gallery

Jalan Jatayu, Banjar Tebesaya, Peliatan,

Ubud, Gianyar Bali, Indonesia

 

Words: Richard Horstman

Images Courtesy: Larasati Auctioneers

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Investing in Balinese traditional art? Now is the right time.

IMG_8546 National Struggle                    National Struggle, 2016 – Pande I Made Dwi Artha

 

Within the sphere of Indonesian art, Balinese traditional art is a small niche market. It has recently, however, witnessed positive developments, and this progression, both in its appreciation and valuation, is leading to increasing national and international popularity.

The rapid evolution of information technology has led to greater access to knowledge about Balinese art, along with the publishing of more quality art books. Recent developments within the Bali art infrastructure, and the fact that experts believe the market is undervalued, with strong future growth potential, point to now being an excellent time to buy Balinese traditional art as an investment.

"Tapak Dara - Unity Tapak Dara - Pilar Kebangsaan" Aris Sarmanta. Image Richard HorstmanTapak Dara – Unity Tapak Dara – Pilar Kebangsaan, 2017 – Wayan Aris Sarmanta

 

The dynamics leading to Balinese art being underappreciated and undervalued have been due to its perception. Within world art Balinese art has been maligned, often referred to as ‘tourist’ and folk art – a craft without a legitimate place in Indonesian art history. Some of its finest practitioners, however, were, and are today, from the Balinese high castes therefore, it is not an art form exclusive to the common people. The leading artists nowadays are in a life long, ‘sacred’ pursuit dedicated to reaching new levels of technical skill and aesthetic mastery.

Initially collected and exhibited in anthropological museums of the Netherlands, and not in the renowned art museums of Europe, it was presented with a demeaning colonial narrative, referred to as art made by primitive people. This situation, however, has recently undergone change. The institutions with the most important collections of Balinese art have been rebranded – renamed Museums of World Culture. From now on Balinese traditional art will be presented free from the old narratives, given special curatorial attention to its significance, while being exhibited with the highest technological standards. This will impact positively upon its perception and appreciation internationally, and within Indonesia.

Wayan Budiarta - Drowning - 2017                                Drowning, 2017 – Wayan Budiarta

 

During the past twelve years Jakarta auctioneers Larasati have been tireless promoters of Balinese traditional art. 2018 marks the tweleth year of its Bali auctions, held twice yearly in Ubud. Larasati’s website provides sale data from past auctions, information, and access to online live bidding. Market data reveals strong growth for the Ubud painter A.A Gde Anom Sukawati, if you purchased a work in 2003 for about USD 2,000 – 3,000, it can be sold at auction in 2016 at about USD 23,000. Similarly, a collector invested USD 2,000 – 3,0000 in 2003 on a masterpiece by Ida Bagus Putu Sena that sold at auction in 2012 for about USD 14,000.

The major change maker on the Balinese art landscape is the TiTian Bali Art Foundation, located in Ubud. Open in 2016, and specializing in identifying, and nurturing emerging talent and introducing the best artists to the market. During 2017 TiTian presented some of the finest artists from the renowned school of Batuan painting. Wayan Budiarta, Wayan Aris Sarmanta (winner of the 2018 TiTian Prize), Pande I Made Dwi Artha and Gede Widyantara are young talents on the rise. Six paintings by two of these artists were purchased by Museums of World Culture and soon will be exhibited in the Netherlands.

Made Griyawan ' The Unlucky Monkey"                         The Unlucky Monkey, 2016 – Made Griyawan

 

Each year a new sector of world art comes under the auctioneers spotlight at Christie’s and Sotheby’s. In 2017 it was African art – the market response was increased demand, and new record prices. It is inevitable that more international collectors will turn their attention to Balinese art  because of its quality and cheap prices. Could Balinese traditional art be one of the next booming markets?

Buying the right art requires some know how. Here are some tips for new collectors:

-Do your research and learn as much as possible through books and online information.

-Visit museums, galleries, auctions, artist’s studios, and exhibitions. Immerse yourself in art in order to train your eye.

-Get to know collectors and the experts. Seek out advice while learning about the industry.

-The best investment is with the emerging artists. Their works are cheaper and have a great potential for increasing in value and leading to future gains.

-Identify potential future masters by self-research and scouting, or align yourself with artist incubators.

-Invest early on masterpieces by the potential future masters.

-Think long term and hold for at least 10-15 years to wait for the market to mature for profit making.

-Works at auction often sell for prices much lower than that at galleries, or the artist’s studio.

-When buying at an auction set the price that you are not prepared to go above.

-There are still many Balinese works, often treasures, that remain forgotten, or unrecognized, which are stored away, and are yet to find their way onto the market.

-Young talent is thriving in the villages of Batuan, Keliki and Ubud and these important genres are in exciting new eras of development, driven by well-organized art collectives.

-Look out for the Larasati auction previews published online in the Jakarta Post.

bhineka-tunggal-ika-mungku-muriarti-mura                                     Painting by Mungku Muriarti Mura

 

Words & Images: Richard Horstman

Buying Balinese art at auction?

Wayan Radjin "Ramayana Membebaskan Dewi Sita" Image courtesy of LarasatiWayan Radjin – “Ramayana Membebaskan Dewi Sita” Image courtesy of Larasati

 

Are you interested in Balinese art? Ever thought of buying at auction?

Whether driven by your love of art, curiosity, or an eye for investment – buying at auction can be an interesting and exciting way to grow your collection. To the novice auctions may appear intimidating, for aspiring art collectors, however, auctions can provide an excellent point of entry into the marketplace.

Larasati Auctioneers, Indonesia’s oldest international auction house is a dedicated supporter of Balinese art. Specialists in auctioning Balinese traditional art, this year (2018) marks the tweleth year of its Bali auctions, held twice a year in Ubud. Offering an array of collectible items including paintings, sketches, prints and sculptures, their auctions presents good opportunities for buyers with small to medium, and larger budgets.

"Baris" AA Anom Sukawati                                   Baris – Anak Agung Gede Anom Sukawati

 

Here are some tips for the inexperienced on how to buy art during the Larasati Bali sale:

Open for public viewing the items for auction, or lots, are on exhibition from 11am each Friday immediately prior to the auction at Larasati Art Space in Ubud. There will be an array of beautiful art from the Classical paintings to the renowned genres of Balinese modern traditional art, and some modern and contemporary works, on display. Two and a half days allows plenty of time for inspection and to learn more about the works for sale. The free auction catalogue will be your necessary companion to help in this process.

Not only does the catalogue include the details of each lot for sale with the artist’s name, title of the work, medium, size and of course the estimated price of the works market value, it also has the details of how to participate in the auction, along with the necessary pre and post sale procedures. Be sure to read all the fine print. The Larasati website provides information and sales data from past auctions, access to online live bidding, along with the digital auction catalogue. You may wish to do more research about what you intend to buy and the Internet now has more and more information available on Balinese art.

'Sita Satya' Ketut Madra, 103x103cm, Image Richard Horstman                                        Sita Satya – Ketut Madra

Art is very personal, and everyone has different tastes. The secret to buying art that you will enjoy from the first moment you see it, and everyday on the wall at home is to listen to your heart or inner voice. Buying for investment takes know-how. Taking note of your budget is essential, and a buyer’s premium is payable on top of the final sales price of each lot.

On auction day first register your intention to participate and you will receive your paddle with an identification number, which you shall raise to indicate to the auctioneer your wish to bid for a work offered for sale. Understand all the necessary responsibilities you have as a buyer – don’t hesitate to ask questions to the Larasati staff so that you are clear. Inquire if there is a condition report available on the works you are interested in, and knowing more about the works history (previous exhibitions, past sales records, provenance & certificates of authenticity).

Dewa Putu Bedil, 'Harvest Scene', 1980, acrylic on canvas 136x200cm                                  Dewa Putu Bedil – Harvest Scene

 

What can you expect during the auction?

 Auctions move at a swift pace so be attentive and its best to sit at the front of the room. The auctioneer monitors bids from telephone and Internet platforms along with live bidding from people within the room. Auctions become exciting especially when there is spirited competitive bidding quickly raising the prices.

 How does the bidding process work?

The bidding process is straight forward, simply raise your paddle to indicate that you are willing to accept the amount offered by the auctioneer, which will also be indicated on the screen next to the auctioneer in Indonesian Rupiah, American, Singaporean and Hong Kong dollars. The items price will increase by increments and auctioneer will clearly address you, acknowledging they have accepted your bid. Works at auction often sell for prices much lower than that at galleries, or the artist’s studio, yet remember to set a price according to your budget that you are not prepared to go above.

Gusti Nyoamn Lempad, 'The Rickety Bridge' 1940, black ink and pigment on paper.                                Gusti Nyoman Lempad – The Rickety Bridge

 

Hopefully you will succeed in placing the bid accepted as the final sales price that will be confirmed by the fall of the auctioneer’s hammer. Congratulations, your diligence has paid off and you have just won the lot. Finally, complete the payment details and organize the delivery of your new art work.

 This exciting experience will fuel your curiosity about buying art. Do your research and learn as much as possible through books and online, visit museums, galleries, artist’s studios, exhibitions, and more auctions. To train your eye immerse yourself in Balinese art – and enjoy.

For the online catalogues and more information about the next Larasati Bali auction early in 2019 please visit: www.larasati.com  

'Mothers Love' Ida Bagus Tilem, wood, 62x13x17cm. Image Richard Horstman                                  Mother’s Love – Ida Bagus Tilem

 

Auctions held at: Larasati Bali Art Space at Tebesaya Gallery,

Jalan Jatayu, Banjar Tebesaya, Peliatan,

Ubud, Bali.

 

Words: Richard Horstman

Images Courtesy: Larasati Auctioneer’s & Richard Horstman

Under the hammer: Previewing Larasati’s Traditional, Modern & Contemporary Art Auction, Bali, 21 January 2018

lot #579 Ida Bagus Made Poleng "Stone Mason" Image courtesy of Larasati                             Lot # 579 Stone Mason – Ida Bagus Made Poleng

 

Larasati Auctioneer’s continue to provide excellent support in the development of Indonesian art, especially Balinese traditional painting, to growing local and international markets with its upcoming 21 January 2018 Traditional, Modern and Contemporary Art auction to be held in Ubud, Bali.

Eighty lots of fine art will go under the hammer, including paintings, sketches, a woodcarving and one delightful poster, in an array of categories, and with price accessibility for new buyers, intermediate collectors, and the connoisseurs alike. For the third year running real time, Internet bidding is available through the Larasati website opening the auction to a global audience.

lot #533 Bagong Kussudiardjo "Wanita Wanita Bali" Image courtesy Larasati                      Lot # 533 Wanita Wanita Bali – Bagong Kussudiardjo

This is an exciting sale with some absolute gems featured, along with works by renowned Indonesian and foreign artists, including Balinese master Gusti Nyoman Lempad (1862-1978), Ida Bagus Made Nadera (1910-1998), Ida Bagus Made Togog (1913-1969), Wayan Taweng (1922-2004), Antonio Blanco (1911-1999), Dutchmen Rudolf Bonnet (1895-1978) and Arie Smit (1916-2016) and Australian artist Donald Friend (1914-1980). The auction is highlighted by a special selection of works from the collection of one of the most forward thinking private collectors of Balinese art in the United States, Peggy Williams.

For the new buyer, or novice wishing to add to their collections there are many paintings and drawings priced at lower than US $500 that are very good buys if purchased within their estimates. Two, especially glowing works by recognized female painter Ni Gusti Agung Galuh, lot # 545, Pulang Dari Sawah and lot #546 Sunset with Ducks, both have an estimated price of between Rp. 4 million – 5 million. Lot # 548, Sore Hari di Desa by Gusti Agung Wiranata also has the same estimated price, while lot #524, Ocean Village Scene, an early work by the renown Batuan painter Wayan Bendi has an estimated price of between Rp. 5 million – 7 million and is another excellent opportunity to purchase a strong work. All of these works represent buying value not possible when purchasing paintings direct from the artist’s studio or from a gallery.

lot #524 Wayan Bendi "Ocean Village Scene " Image courtesy of Larasati                       Lot #524 Ocean Village Scene – Wayan Bendi

There are two lots of special interest for collectors and those seeking to purchase something unusual. Charming & Beautiful lot # 539 is a 75cm x 48cm advertising poster by the reputed Dutchman Willem Gerard Hofker (1920-1981), which has an estimated price of between Rp. 10 million – 12 million. Lot # 519, Barong by influential Balinese wood carver Nyoman Tjokot (1888-1971) has an estimated price of between Rp. 30million – 40 million and is a rare find from an artist who was at the forefront after the turn of the 19th century of new sculptural interpretations of icons of the Balinese culture.

Works in the mid price range are many and some strong paintings include groups by twoartists Bagong Kussudiardjo (1928-2004) and Dewa Putu Mokoh (1934-2000). Well known as a choreographer Bagong learned to paint from Indonesian masters Hendra Gunawan and Affandi, among others, before studying painting formerly at ASRI Yogyakarta. Of his four works offered, lot #530 Ibu dan Anak has an estimated price of between Rp. 12 million – 15 million, and Wanita Wanita Bali, lot #533, has an estimated price of between Rp. 45 million – 55 million.

lot#564 Anak Agung Gde Anom Sukawati "Suasana Pasar" Image coutesy Larasati             Lot #564 Suasana Pasar – Anak Agung Gde Anom Sukawati

Four works are on offer by Mokoh, noted for breaking with convention and producing compositions that were quirky, lurid, even intimate and highly unusual. The present owner purchased the paintings directly from the artist, and lot #553, Tajen, a delightful scene of an audience watching a cock fight, has an estimated price of between Rp. 22 million – 32 million.

Lots #517, 521, 577 & 580 are by Made Sukada (1945-1982). An artist held in very high esteem, his attention to compositional details and skin tones, set him apart from most and have led to him being a highly sought after painter, especially due to his short career. The idol of Indonesian international contemporary art superstar Nyoman Masriadi, lot #521 by Sukada, Dialog Arjuna dan Kresna has an estimated price of between Rp. 90 million – 110 million. Another beautiful work by Nyoman Kayun, lot #548 Pusupati has an estimated price of between Rp. 40 million – 80 million.

Lot#553 Dewa Putu Mokoh "Tajen" Image courtesy Larasati                             Lot# 553 Tajen – Dewa Putu Mokoh

An early work dated 1989, by Ubud’s most celebrated living painter, Anak Agung Anom Gde Sukawati, lot # 564 Suasana Pasar was painted when he was only 23 years old. While the influence of his father, A.A Gde Meregeg (1912-2000) is obvious, some five years later his work evolved and made a clear departure from his father’s style. With an estimated price of between Rp. 90 million – 110 million, this is an extraordinary piece to collect.

An extremely rare and early masterpiece by, arguably the most talented Balinese painter of the 20th century, Ida Bagus Made Poleng (1915-1999), will receive the attention from connoisseurs. Lot # 579, Stone Mason is offered as the top lot in this auction, with an estimated price between Rp.350 million – 450 million. Probably produced in the early 1940’s as it is painted on Masonite board, the work, which has excellent provenance, reveals his mastery of composition and the strong influence of Rudolf Bonnet is clearly shown in the way he has depicted figures working in the field.

lot #521 Made Sukada "Dialog Arjuna dan Kresna" Image courtesy Larasati                     Lot #521 Dialog Arjuna dan Kresna- Made Sukada

The final lot during the afternoon, lot # 580 by Made Sukada, Bali Life, has an estimated price between Rp. 40 million – 80 million and also comes with excellence provenance. An early work of remarkable beauty, its layered composition reveals fascinating central background features and is another step in Sukada’s journey in the master of anatomy, influenced by Rudolf Bonnet’s signature style of elongated human proportion.

Potential buyers bidding over the phone, or via real-time Internet bidding who are unable to attend the previews days or auction are advised to contact Larasati and enquire about the colour reproduction accuracy of the images contained within the online catalogue to ensure that what they wish to purchase can be realistically appraised. The absence of reference to the condition of a lot in the catalogue description does not imply that the lot is free from faults or imperfections, therefore condition reports of the works, outlining the paintings current state and whether it has repairs or over painting, are available upon request.

lot # 580 Made Sukada "Bali Life" Image courtesy Larasati                            Lot #580 Bali Life – Made Sukada

Provenance, the historical data of the works previous owner/s is also important and is provided. An information guide including before the auction, during the auction and after the auction details, including conditions of business, the bidding process, payment, storage and insurance, and shipping of the work is also available. A buyer’s premium is payable by the buyer of each lot at rate of 22% of the hammer price of the lot.

Open to the public at the Larasati Art Space in the Tebesaya Gallery the auction starts at 2:30 pm Sunday 21 January, while viewing begins from 11am Friday. The online catalogue, complete with a guide for prospective buyers is available at: www.larasati.com

577                               Lot# 577 Tri Murti – Made Sukada

Viewing:

Friday,         19 January   11am – 7.30pm

Saturday,   20 January     11am – 7.30pm

Sunday,     21 January     11am – 1pm

Auction: Sunday 21 October, from 2:30 pm

 

Larasati Bali Art Space at Tebesaya Gallery

Jalan Jatayu, Banjar Tebesaya, Peliatan,

Ubud, Gianyar Bali, Indonesia

 

Words: Richard Horstman

Images Courtesy: Larasati Auctioneer’s

 

 

 

 

 

Previewing Larasati’s Traditional, Modern & Contemporary Art Auction, Bali, 8 October 2017

Lot 549 Nyoman Meja "Subali & Sugriwa" 1997 Image courtesy of Larasati                               Lot 549: Subali & Sugriwa – Nyoman Meja

 

Art auctions are an exciting and accessible way to grow your collection. For the curious observer and new buyers auctions are fascinating processes that give insight into the art world that is often perceived to be opaque, mysterious, and even intimidating. Auctions allow opportunities for new buyers to enter the market often at amounts well below gallery prices and cheaper than purchasing directly from the artist’s studio.

Larasati Auctioneer’s upcoming 8 October 2017 Traditional, Modern and Contemporary Art auction to be held in Ubud, Bali offers eighty lots of fine art for sale in varying categories including Indonesian and Balinese art, and catering to the budgets of new buyers, intermediate collectors, and the connoisseurs.

Lot 532 Arifein Neif "Balinese Temple" 1992 Image courtesy of Larasati                                Lot 532: Balinese Temple – Arifein Neif

Since February 2016 real-time Internet bidding has been available through the Larasati website opening the auction to a global audience. Real-time Internet accessibility allows prospective buyers to follow along observing hammer prices to assess the situation of the market and level of interest of a certain class or individual lot, while also allowing for bidding strategies to be revised.

A feature of the twice-yearly Larrasati auction is always the fascinating array of Balinese modern traditional paintings available for sale; the genre that evolved through the influence of the Pitamaha Artist’s Association established in 1936 in Ubud to oversee the growth of this art style catering for new burgeoning markets that quickly developed during the first wave of tourism to embrace Bali.

Lot 546 Nyoman Kayun "Suasana di Desa" 2008, Image courtesy of Larasati                              Lot 546: Suasana di Desa – Nyoman Kayun

Two works of interest by masters of the Pitamaha are Lot 565, Perebutan Tirta Kamandalu by Anak Agung Gde Meregeg (1912-2000) with an estimated price between Rp.60,000,000 – 80,000,000, and Lot 575, Sang Hyang Jaran by Tjokorda Oka Gambir (1902-1975) with an estimated price between Rp.20,000,000 – Rp. 25,000,000. These paintings offer excellent buying opportunities if purchased within the undervalued estimated prices. Both artists have had enormous influence on the development of Balinese art, Gambir one of the founders of the Ubud School of painting, while Meregeg, one of the first students of Walter Spies (1895-1942) is the grandfather of the celebrated Ubud painter A.A. Anom Sukawati.

New buyers have excellent opportunities to enter the market with Lot 505, Broken Triangle, 1990 by Made Wianta, which has an estimated price between Rp.5,000,000 – 7,000,000, Lot 510, Dua Wanita Jawa, 1988 by Bagong Kussudiardjo (1928-2004) with an estimated price of between Rp.6,000,000 – 8,000,000, and Lot 511, Figur Wayang, 1990 by Pande Gde Supada which has an estimated price of between Rp. 6,000,000 – 8,000,000. Both Wianta and Supada played formative roles in the shaping Balinese modern and contemporary art in the 1970’s.

Lot 561 Dewa Ketut Rungan "Burung-Burung Surgawi" Image courtesy of Larasati                  Lot 561: Burung-burung di Surgawi – Dewa Ketut Rungan

For buyers prepared to hold works for a 10 – 20 period some good long-term investments are available here; Lot 564, Calonarang is an ink on paper work by the respected Sanur painter Ida Bagus Nyoman Rai (1915-2000) and has an estimated price between Rp.10,000,000 – 12,000,000. Lot 566, Mythological Scene is a stunning work by Dewa Nyoman Leper (1917-1984) with an estimated price between Rp.15,000,000 – 18,000,000. Nineteen-year-old Pande I Made Dwi Artha typifies the talented new generation of Batuan painters that promise an exciting future for the most loved and critically acclaimed genre of Balinese art. His dynamic and fascinating take on the culture of corruption, Lot 534, People Are My Toys has an estimated price of between Rp.7,000,000 – 9,000,000.

The connoisseur’s attention will be upon the later part of the auction, especially the final two lots by Ida Bagus Made Poleng (1915-1999). Lot 579, Kawan Rusa has an estimated price between Rp. 140,000,000 – Rp. 170,000,000, and Lot 580 Tari Baris is estimated between Rp. 150,000,000 – Rp. 200,000,000. Poleng is arguably the most talented Balinese painter of the 20th century. Lot 578, Panen Raya is a rare work by Dewa Putu Bedil (1921-1999) with an estimated price between Rp. 70,000,000 – Rp.90,000,000, and Lot 576, by Ida Bagus Made Nadera (1910-1998) Kehidupan Nelayan has an estimated price of between Rp.65,000,000 – 80,000,000.

Lot 559 Nyoman Gunarsa "Subali & Surgawi" Image courtesy of Larasati                          Lot 559: Subali & Surgawi – Nyoman Gunarsa

The recent passing of pioneering modernist Nyoman Gunarsa in early September was an enormous loss to the Balinese art world. Born in 1944 in East Bali, Gunarsa was instrumental in helping forge new paths in Balinese aesthetics with his own dynamic interpretation of the wayang figures of Classical Balinese painting. His legacy as an artist, art lecturer and art community leader – one of the icons of the island’s cultural landscape – however, will continue on through the generations of artists he has inspired. Lot 559, Subali & Sugriwa is an excellent work by Gunarsa that will attract attention and has an estimated price of between Rp.45,000,000 – 55,000,000.

Other works of note are Lot 532, by Arifein Neif, Lot 546, Suasana di Desa by Nyoman Kayun, Lots 549 & 550, by Nyoman Meja and Lot 561, Burung-Burung Surgawi by Dewa Ketut Rungan. Lot 558, by Arie Smit, Lot 574, Potret Wanita Bali by A.A Gde Sobrat and Lot 572, The Birth of Ganesha, by Gusti Ketut Kobot (1917-1999) with an estimated price between 65,000,000 – 75,000,000. Good works for mid level collectors include Lot 518, by Made Suarsa, Lot 526, by Gusti Agung Wiranata, Lot 540, by Ketut Tagen and Lot 568, by Dewa Ketut Ding.

Lot 579 Ida Bagus Made Poleng "Kawanan Rusa" Image courtesy of Larasati                           Lot 579: Kawan Rusa – Ida Bagus Made Poleng

Prospective buyers bidding over the phone, or via real-time Internet bidding who are unable to attend the previews days or auction are advised to contact Larasati and enquire about the colour reproduction accuracy of the images contained within the online catalogue to ensure that what they wish to purchase can be realistically appraised. The absence of reference to the condition of a lot in the catalogue description does not imply that the lot is free from faults or imperfections, therefore condition reports of the works, outlining the paintings current state and whether it has repairs or over painting, are available upon request.

Provenance, the historical data of the works previous owner/s is also important and is provided. An information guide including before the auction, during the auction and after the auction details, including conditions of business, the bidding process, payment, storage and insurance, and shipping of the work is also available. A buyer’s premium is payable by the buyer of each lot at rate of 22% of the hammer price of the lot.

Lot 576 Ida Bagus Made Nadera "Kehidupan Nelayan" 1950 Image courtesy of Larasati                          Lot 576: Kehidupan Nelayan – Ida Bagus Made Nadera

Open to the public at the Larasati Art Space in the Tebesaya Gallery the auction starts at 2:30 pm Sunday 8 October, while viewing begins from 11am 6 Friday.

The online catalogue is available at: www.larasati.com

 

Viewing:

Friday,           6 October   11am – 7.30pm

Saturday,   7 October     11am – 7.30pm

Sunday,     8 October     11am – 1pm

Auction: Sunday 8 October, from 2:30 pm

Larasati Bali Art Space at Tebesaya Gallery

Jalan Jatayu, Banjar Tebesaya, Peliatan,

Ubud, Gianyar Bali, Indonesia

 

Words: Richard Horstman

Images Courtesy: Larasati Auctioneer’s

 

 

The Legacy of Arie Smit 1916-2016

20160827_191628The Death of Dutch Colorist Arie Smit 23 March 2016 is an Enormous Loss to The Canon of Southeast Asian Art.

 

During an August seminar at Ubud’s Neka Art Museum, a gathering of over 100 members of the Balinese art community paid homage to the legacy of the Dutch post-modern colourist Arie Smit (1916-2016). The iconic painter, who left a distinguished mark in the history of art in the region, passed away 23 March, only days short of his 100th birthday.

Renowned for his vibrant landscape paintings and scenes of Balinese village life Smit is a much-loved artist; his work forms part of collections in Indonesia, and throughout the world. Characterised by rapid movements with dense mosaics of color, allowing only scenic images to emerge in abstract forms, Smit’s compositions resemble an impressionist-pointillist style, and have been dubbed “Poems of Color.”

painting-by-arie-smit-image-richard-horstman                                        “Rhythms of Life” 1990

Drafted into the Netherlands army, sent abroad and stationed with the topographical service in Batavia, now Jakarta, Smit first set foot in the Dutch East Indies in 1938. Previously he studied art at the Academy of Arts in Amsterdam. In 1942 with the out break of World War II he was imprisoned by the invading Japanese army, later being shipped to Singapore, Thailand, and then Burma to undertake forced labour.

In 1950 Smit returned when the Dutch acknowledged Indonesia’s sovereignty after the revolution of Independence (1945-1949), becoming an Indonesian citizen. He settled in Ubud in 1956. Enchanted by the tropical light and landscape he roamed throughout Bali, reputedly moving house 36 times. Smit became the most important stimulator of painting on Bali, post Second World War.

20160827_192255                              “Full Moon Ceremony” 1994

“The Balinese trust more in their feelings than which meets the eye,” said seminar speaker Suteja Neka, founder of the Neka Art museum, long time friend, and Smit’s art dealer. “Smit’s unique skill was in capturing the potent invisible elements of Bali in his dazzling colourful verve.”

“Smit had a different way of seeing Bali’s landscape compared with the other Western artists of the 1930’s-1950’s era,” said art observer, Indonesian Art Institute (ISI) lecturer, curator and artist Dr. Wayan Kun Adnyana. “Bringing a western perspective, similar to fauvism, through his personal interpretation colour became the language and entity to explore and communicate Bali’s tropical nature.”

20160827_192221                               “Galungan Holiday” 1996

“In 1960 Smit began sharing art materials with, and teaching young boys in the village of Penestanan, near Ubud. This was the beginning of the “Young Artists Style”. At its height there was more than 300 practitioners,” said international artist and ISI lecturer Wayan Karja, who was born in Penestanan in 1965. “He helped transform the village, and prosper economically; poor farmers turned into painters. Not only was he an art teacher, Smit was a father figure to the village as well.”

The “Young Artists Style” was fresh and exciting; 60’s Balinese psychedelic pop art that emphasized color, the denseness of pure decoration, with a strong graphic sense. Smit did not attempt to influence the style of boys work, only the subject matter of village life. At his home studio he was careful to keep his paintings out of sight so they were never copied.

During the tourism boom of the 1970’s the genre became enormously popular.

20160827_192357                                                “Orchids” 1991

Smit’s work comes in a wide range of formats, from small postcard sizes to works of 1.5 meters or larger. After the 2008-2010 Indonesian contemporary art boom that witnessed over inflated prices for up and coming artists, collectors shifted their focus to Indonesian modern art. Paintings by the old masters became popular, some of which were considered as undervalued.

In 2011 the market realized a record price for the most expensive work sold at auction by Smit at the March Larasati Singapore sale. “Balinese Village and Farmlands” sold for close to 5 times its estimated price at a high of US $ 124,000. At Christie’s Hong Kong Asian 20th Century Art Sale May 2015 Smit’s “Pura” sold for just over US $ 207,000.

20160827_192435                                 “A Tropical Garden by the Sea” 1999

Nowadays many of Smit’s works sell for modest prices within their estimates and under US $4,000. The Smit connoisseurs however, are very specific about their choices with some willing to compete bidding the prices up, determined to secure their desired trophy works.

During Sotheby’s Hong Kong Autumn Sales 2016 in the Modern and Contemporary Southeast Asian Art Day Sale 3 October thirteen paintings by Smit, ranging through the decades from the 1970’s – 1990’s, go under the hammer. They are sure to attract much attention from regional and international art collectors.

20160827_192122                                              “Low Tide” 1988

Believing that a painter’s style was, in short, his personality, Smit’s oeuvre reinforced his claim, reflecting traceable changes and developments over time. His aesthetics created a greater position for Bali within the context of Indonesian art.

Arie Smit spent his final days lying peacefully in bed at home in Ubud, despite his failing eyesight his mind remained clear. Famed for his “broken colors” style, his passing is a monumental loss to the canon of Southeast Asian art.

20160827_192147           “A Split Gate. Three Women and a Dog, And Two Heron Birds” 1999

The paintings pictured above are just a small part of the Arie Smit collection at the Neka Art Museum on Jalan Raya Sanggingan, Ubud.

 

Larasati Traditional, Modern & Contemporary Art Auction: Bali 21 August

made-sutama-the-dream-image-richard-horstman                                “The Dream” 2015 –  Made Sutama (b. 1977 Keliki)

Eighty works of fine art went under the hammer before an enthusiastic floor of bidders at Ubud’s ARMA museum 21 August Larasati Traditional, Modern & Contemporary Art auction. The attractive array of paintings in Balinese traditional styles and Indonesian modern and contemporary genres offered good buying opportunities in prices ranges suitable for new collectors and connoisseurs alike.

From the beginning of 2016 real time bidding has been available through the Larasati website, opening the auction to a global audience. The auction featured spirited bidding both on the floor and via telephone, and purchases online. Most of the works sold within their estimate prices while for new collectors purchases were available starting from Rp. 3.5 million.

20160820_181740                                      “Aksi Badut and Topeng” – Ketut Sadia (b. 1966 Batuan)

Ida Bagus Putu Sena (b. 1966 Tebesaya, Ubud) is a remarkable talent, his characteristic style while being extraordinarily detailed, features dark and moody compositions. Lot #523 “Shadow Puppet Show” 2009, estimated price between Rp. 75 – 90 million, was hammered down for Rp. 95 million. (all works incur a 22% buyers premium on top of the auctioneers selling price). Lot #530 “Petani’ 2003 by Ketut Kasta (b. Peliatan 1945), a beautiful figurative work in muted pinkish hues, serene in its simplicity was estimated between Rp. 25 – 30 million and sold for Rp. 40 million.

Iconic Dutch painter Arie Smit (1916-2016) died in March at home in Ubud, only days short of reaching the golden age of one hundred years old. Responsible for the development of the “Young Artists” style of Balinese traditional art in the early 1960’s, since his passing prices for his some works at Hong Kong auctions have noticeably increased.

putu-deaw-bedil-suasana-pasar-image-richard-horstman                                    “Suasana Pasar” –  Dewa Putu Bedil (1921-1999)

Of the three lots available, Lot #546 “A Girl Leaving the Temple” estimated between Rp. 65 – 75 million, sold for Rp 65 million, Lot #547 “The Forest“ estimated between Rp. 95 -120 million sold for Rp. 85 million, while #548 “Boy” 1988 estimated price between Rp. 270 – 320 million, however failed to sell.

Works of painstaking miniature detail characterize the Keliki School of Balinese traditional art. Three excellent paintings were available by up and coming artists who represent the future of this genre. Lot #519 “The Dream” 2015 by Made Sutama (b. 1977 Keliki) is a colorful fantastic composition, estimated price between Rp. 10 – 12 million sold for Rp. 9.5 million. Lot # 520 “The Death of Kumbakarna” 2014 by Putu Kusama (b.1986 Keliki) with an estimated of Rp. 12 – 15 million sold for Rp. 17 million via the internet, and Lot # 550 “Festivity at Temple” by Made Ocen (b. 1974 Keliki) undervalued with an estimate price between Rp. 10 – 12 million and sold for Rp. 9 million. Each of these works offered excellent buying for the seasoned collectors along with those with mid range budgets for good long-term investments.

a-a-gede-anom-sukawati-mengarak-jero-gede-image-by-richard-horstman            “Mengarak Jero Gede” 2003  –  A.A. Gede Anom Sukawati (b. Ubud 1966)

A rare old work by the renowned Batuan painter Wayan Bendi Lot # 555 “Tourists in the 1950’s” estimated price between Rp.15 – 20 million sold for Rp. 14 million. Lot # 505 “Aksi Badut and Topeng” by another outstanding Batuan painter Ketut Sadia with an estimated price between Rp. 16 -20 million sold for Rp. 16 million offering good value buying for this innovative composition. Considered an “outsider artist” Putu Dewa Mokoh (Pengosekan 1936-2010) is a painter of unusual, often quirky and humorous compositions. Lot # 502 “Berenang di Laut” estimated price between Rp. 18 – 22 million sold for Rp.16 million, while Lot #558 “Hunting in the Forest” estimated price between Rp. 28 – 35 was hammered down for Rp. 30 million.

ketut-kasta-petani-2003-image-richard-horstman                                       “Petani’ 2003 –  Ketut Kasta (b. Peliatan 1945)

The Pitamaha artist’s collective played a decisive role in the development of Balinese modern traditional art from 1936-1945 and two works by deceased masters of the collective were available. Lot# 567 by Gusti Ketut Kobot (1917-1999) “Garuda Whisnu” was undervalued for its size of 105 x 75 cm, estimated price between Rp. 90 – 110 million and selling for Rp.85 million. While Lot #568 by Ida Bagus Made Togog (Batuan 1913 – 1989) “Story of Dukuh Siladri” a shimmering work of exceptional quality and condition, estimated price between Rp. 270 – 350 million, sold for Rp. 350 million.

Lot # 569 “Suasana Pasar” Dewa Putu Bedil (1921-1999) is a extraordinary work of balance and beauty, being undervalued at the estimate between Rp. 75 – 90 million, it sold for Rp. 95 million. Of the contemporary works available sought names such as Jumaldi Afli, Ugo Untoro and Dede Eri Supria attracted only marginal attention, yet offered good buying opportunities for new collectors wishing to purchase works by big name artists.

arie-smit-a-girl-leaving-the-temple-photo-by-richard-horstman                               “A Girl Leaving the Temple” – Arie Smit (1916-2016)

The most prized work of the afternoon was the final item, was Lot # 580 “Mengarak Jero Gede” 2003 by A.A. Gede Anom Sukawati (b. Ubud 1966) arguably Bali’s finest living traditional painter. His 75 x 135 cm acrylic on canvas composition, a stunning dance scene of detail and vibrancy, estimated price between Rp. 160 – 190 million, realized determined bidding selling for a world record price for the artist at Rp. 345 million, inclusive of the 22% buyer’s premium.

Words & Images: Richard Horstman

20160820_182538             “Story of Dukuh Siladri” – Ida Bagus Made Togog (Batuan 1913 – 1989)

20160820_181951                   “Berenang di Laut” – Dewa Putu Mokoh ((Pengosekan 1936-2010)

 

 

 

 

 

 

 

 

 

 

 

 

The Bali Art Scene 2016 – An Overview

Citra Sh"Torment"

“Torment”  2015 – Citra Sasmita one of the strongest works from the ‘Bali Art Intervention #1’ “Violent Bali”

This overview looks back over the past six months (and more) at exhibitions and happenings of note in the Bali art scene which in the past year has witnessed some critical infrastructure developments.

Closing out 2015 ‘Bali Art Intervention #1’ “Violent Bali”, open 10 November at the Tony Raka Art Gallery in Ubud, featured the work of 60 artists, and was the strongest collective showing of contemporary art in Bali since July 2013’s “Irony in Paradise” by Sanggar Dewata Indonesia at ARMA. Slated to run for a month the exhibition continued into the new year and works by Citra Samsita, Wayan Wirawan, Agus Cahaya, Ida Bagus Putra Adnyana, Pandi Acmadi, Tatang BSP, amongst many others were worthy of mention.

Made Budhiana. "In the Darkness of Night" Image M. O'Riordan “In the Darkness of Night” 2015 – Made Budhiana from the “Cruise Control” Exhibition

“Cruise Control Indonesia – Top End Artist’s Camp Exhibition” 23 January – 13 February 2016 at the Northern Center of Contemporary Art (NCCA) in Darwin, Australia showcased the some of the fruits of the 2015 Artist’s Camp, an engagement by 6 Indonesian artists in the Northern Territory (NT). For five weeks Made Budhiana, Wayan Wirawan, Made Sudibia, Made ‘Dalbo’ Suarimbawa and Ni Nyoman Sani from Bali, and East Javanese artist Suryani were guests of the government of Northern Territory and were exposed to foreign lands and societies, and delved creatively into new visual and conceptual territories.

The biannual Artists Camp, which was first held in 2012 in the NT, and then with two subsequent Camps in Bali (2012 & 2014) is the initiative of Australian art lover Colin MacDonald and Made Budhiana, working with the NCCA, expanding upon the original modal of the Artists Camp that first began back in 1978. The exhibition displayed some outstanding works of cross-cultural engagement and its success in underlined by the support the Chief Minister of the NT government and the Commonwealth Bank of Australia. Despite international political relations between Indonesia and Australia recently weathering stormy seas, art and cultural remain the most important and enduring engagements between the two countries.

TiTian Art Space. Image by Richard Horstman                 TiTian Art Space – Image Featuring works by Teja Astawa & I.B. Purwa

Merging perceptions and practices from the past with the present, along with an innovative vision for the future, Yayasan TiTian Bali (YTB), a new art foundation launched 29 January 2016 at Bentara Budaya Bali cultural center, is setting out to revolutionize Balinese art. Inaugurated on the 80th anniversary of the founding of the Pitamaha artists collective in Ubud, the Balinese artist co-operative TiTian Art Space, located on Jalan Bisma Ubud, will help transform artists into art entrepreneurs within the creative economies.

The brain child of the former 20 years volunteer curator and international liaison officer for Puri Lukisan Museum, Soemantri Widagdo, exhibitions hosted this year have showcased some of the finest Balinese traditional and contemporary artists such as Teja Astawa, Ida Bagus Putu Purwa, Made Griyawan, Aris Sumanta and Gede Widyantara to name a few. The June “Traces Under the Surface – Batuan Painting Exhibition” set 3 generations of Batuan painters from one family side-by-side in a unique expose into the development of Batuan painting. The regular series of exhibitions and workshops along with the revolutionary vision of YTB are an exciting and important addition to the Bali art infrastructure.

With plans to build a Museum of Contemporary Art (Bali MOCA), an international class museum located in Ubud, within the next ten years, exhibiting both old and new work of the highest quality, YTB expects to inspire new directions and achievements in Balinese art, while being the premier hub for Balinese visual arts by 2021.  Balinese traditional art is undergoing an exciting revival underpinned by fresh young talent and strategic collective activity, for example in Batuan led by the formation of the Baturlangan Artist Collective of Batuan.

With the mission to place Balinese art on global platforms the welcome addition of  YTB to the Bali art scene will aid in future consolidation of the current flourishing of Balinese traditional painting. The 21st century ushers in a new paradigm of global thinking and the art world is responding and evolving especially due to the impact of the internet and social media which is empowering individuals to develop global brands and presence. Yayasan TiTian Bali is building a new eco system for Balinese art for the 21st Century.

A.A Gede Anom Sukawati-"Tari Joged Bumbung". Image courtesy of Larasati“Joged Bumbung” 2008 – A.A Gede Anom Sukawati featured in the 1oth Anniversary Larasati Balinese Modern Traditional & Contemporary Art Auction at ARMA Ubud.

Results of the special 10th anniversary Larasati Balinese Modern Traditional & Contemporary Art auction at ARMA 28 February confirm that the market for Balinese traditional art is growing steadily while providing excellent value through the low to medium and high price ranges. Emphasizing quality over quantity the 81 items birthday sale featured a parade of beautiful works including sketches, watercolors, wood carvings and paintings by “Old & Young” Balinese masters.

During the past decade, with two auctions per year in Ubud Larasati have opened up an international forum for the trade of high quality traditional Balinese works, especially paintings. By introducing professionalism of an international standard that Bali had yet to experience in its art dealings Larasati has helped create a real, healthy market for traditional Balinese art. The auction included works by popular artists I.B Made Poleng, Gusti Lempad, Made Sukada, A.A Gede Anom Sukawati, and I.B Nyana to name a few.

A feature of the sale was Larasati Auctioneers providing for the first ever real-time data over the internet allowing easy, direct access to buying opportunities for a global audience. The auction audience revealed more foreigners in attendance than Indonesians being a testament to the developing international market of the Balinese art which is considered by experts to be undervalued. Larasati CEO Daniel Komala confirmed that the outcome of first ten years of auctions have exceeded all expectations.

I GAK MURNIASIH - SEDANG ACTION - AOC - 100 x 100cm - 2003                                                  “Sedang Action” –  I GAK Murniasih

“Merayakan Murni / Celebrating Murni”, a project gathering local and regional artists to create works in response to the legacy of the iconic female Balinese artist I GAK Murniasih (1966-2006) “Murni” started 8 December 2015 at the innovative new art space Ketemu Project Space in Sukawati. Punctuating the beginning of the 6 month plus program of events, culminating with the group exhibition at Sudakara Art Space Sanur 16 July 2016, the 8 December event was an intimate evening of discussions.  Featuring friends and colleagues of Murni’s, while introducing some of the breadth of her work, and the schedule of up coming events was reveled that included artist in residency programs and curator discussions. This highly anticipated exhibition will be the most important of the 2016 art calendar.

AJI02649_1-1_LR“Forgotten Optical Satsuma Filters” – Ashley Bickerton at Rumah Topeng dan Wayang Setiadharma

Kayu, a series of exhibitions that began in 2014 presented by French art worker Lucie Fontaine at Rumah Topeng dan Wayang Setiadharma in Mas, has been a highly valuable contribution to the appreciation of contemporary art in Bali. Organized and curated by Italian artist and Ubud resident Marco Cassani, Kayu showcased both local and international artist in cross cultural collaborations, group and solo exhibitions. Kayu aims to support the growth and awareness of contemporary art in Indonesia through experimental and conceptual projects and operations as an incubation facility to give the opportunity for information and knowledge exchange between Bali and Indonesia with the outside art world. Projects have included artists Corrado Levi, Radu Cosma, Entang Wiharso and Luigi Ontani.

The exhibition space at Rumah Topeng, a traditional Javanese teak warehouse is a unique setting for the presentation of contemporary art allowing the ambience of cultural design elements and raw timber to enhance the presence of the art. Despite not being well attended by the local art community, importantly Kayu allowed an opportunity for people to enjoy art in an alternative exhibition setting, in contrast to the often “sterile” gallery spaces, while positively contributing to the viewer experience. The program culminated in April with Ashley Bickerton’s first ever solo exhibition in Indonesia “Forgotten Optical Satsuma Filters” that featured his experimental “non commercial” color creations.

DSCF4872             “King Udayana : A Visual Epic” 2016 – Ketut Budiana at Bentara Budaya Bali

The historical collaboration between the Udayana University of Bali and the Bentara Budaya Bali Cultural Center, Denpasar on Friday 15 April highlighted a landmark event in Balinese painting, presenting the works of Balinese master artist Ketut Budiana. Officiated by the Governor of Bali, Made Mangku Pastika, the exhibition “King Udayana : A Visual Epic” featured an enormous narrative canvas, 8339 x 140 cm spanning the walls of the pavilion paying homage to the lifetime journey of the 10th century Balinese King Udayana.

Budiana invited the audience to wonder clockwise around the pavilion to engage with this poetic work laid out in such as way as to occupy the four directions of the compass, with their respective gods, and colors, symbolically linking the human existence with the cosmos. Often described as a “fantastic’ painter” Budiana communicates stories that appear to come from the subconscious in dream like imagery that often evolves from swirling clouds of energy. Post exhibition the work was installed within the Rectorate’s hall of the Udayana University in Jimbaran.

13173813_10153830185898778_8308656514481768488_n     “Kartini” – Cherographed by Jasmine Okubo, May 2016, image by Dewandra Djelantik

Long time collaborator with Indonesian artists, Japanese choreographer, dancer and performer Jasmine Okubo continues to push the art performance genre into new and exciting realms. Her performance during the opening of Rie m’s April exhibition “Conexion & Contradiccion” at the Villa Pandan Harum, Ubud was captivating, as were other during the year. While Rie’s exhibition of cross cultural infusions was outstanding, and importantly introducing the art of collage in a fresh and highly sensitive manner to the local art community, Jasmine’s performance, melding the futuristic aesthetics with Balinese and Japanese flavors typifies her extraordinary talent.

Okubo’s 5 June performance at Rumah Sanur in a silent enclosed space brought into dynamic, otherworldly life with excellent visual aesthetics via video mapping during the Art Ritual, themed about the transition from WATER to AGNI for the 2017 Sprites Bali Art & Creative Biennale broke new ground for the performer and the audience alike.

DSCF5736                               “Questioning Balinese Painting” 2016 – Kemal Ezedine

 

Neo Pitamaha art collective headed by Gede Mahendra Yasa and Kemal Ezedine brings a fresh, strategic, intellectual approach to the art explorations in the historical development of Balinese traditional painting. Beginning in 2013, inspired to investigate a new paradigm of Balinese painting, since 2014 they have been exhibiting in high-profile events in Bandung, Semarang and ArtJog in Yogyakarta. During 2016 they have been increasingly focusing their attention outside of Bali especially engaging with curators, collectors, along with larger audiences. Mahendra Yasa and Ezedine both held solo exhibitions at Langgeng Art Foundation, during the Jogja Art Weeks June/July art extravaganza for the local and international audiences gathered in Yogyakarta for the opening of ArtJog9.

The Neo Pitamaha’s critical and strategic approach is building positive momentum, importantly raising the bar of what Bali based collectives may achieve, while setting a potent example for others to learn from. Ezedine’s enormous 2016 mural project, highlighting his graphic illustration and dynamic color design skills, upon ceiling panels of the café dining area the new Artotel in Sanur is a visual feast for the eyes while helping to define the uniqueness of Bali’s first art themed hotel.

DSCF4884Detail from Gusti Agung Mangu  Putra’s 2016 painting of the 1906 Pupatan in Denpasar at Gwangju Art Museum, South Korea

Social issues and important Balinese historical events are themes close to Gusti Agung Mangu Putra’s heart. In the May 2016 “In Commemoration of the 36th Anniversary of the May 18th Democratization Movement 2016 Asian Democracy, Human Rights, Peace Exhibition – The Truth To Turn it Over” at the Gwangju Art Museum, South Korea he exhibited his painting of the 1906 Pupatan in Denpasar  Bali. Following from his research early in 2016 he reconstructed a scene post puputan killings that depicts leaders of the Dutch military battalion posing with the body of the Raja of Denpasar.

IMG-20160609-WA003       The WOI (Wall of Indonesia) Exhibition at Bloo Art Space, Padang Bai, East Bali

The prevalence of artist run initiatives such as Cata Odata in Ubud, Ketemu Project Space (who via their regional approach, professionalism and highly structured methodology have raised the bar high in Bali for others to be inspired), Luden House in Ubud, and the recently renamed Bloo Art Space located at the Bloo Lagoon Eco Resort and Villas in Padang Bai (also managed by Cata Odata), have become major forces within the development of art in Bali. While these community focused organizations embrace and grow through the dynamic connectivity of social media and the internet what is essential is that there are venues outside of the gallery commercial modal that continue to grow and survive as essential pillars of the art infrastructure in Bali.

 

 

 

 

 

Review – Larasati 10th Anniversary Balinese Modern Traditional & Contemporary Art Auction

"Patih Lahwel" Ida Bagus Made Togog.Sold for Rp. 40,000,000. Image courtesy of Larasati                                  Patih Lahwel  –  Ida Bagus Made Togog

 

Results of the special 10th anniversary Larasati Balinese Modern Traditional & Contemporary Art auction at Ubud’s ARMA museum 28 February confirm that the market for Balinese traditional art is growing steadily while providing excellent value through the low to medium and high price ranges.

For sale amongst the 81 lots were wood cravings, one contemporary sculpture, sets of lithographs, watercolours, pastels and ink sketches on paper, and paintings on canvas in natural colours, oils and acrylics at prices beginning at a low Rp. 1.5 million (all sold works incur a buyers premium added on top of the hammer price).

An exciting feature of the sale was Larasati Auctioneers providing for the first ever real time data over the internet allowing easy, direct access to buying opportunities for a global audience. With 90% of the works sold (including 3 over the internet), along with the enormous response by bidders on the phone, (more 25% of the works sold), and all the major lots of “Young & Old Masters” selling, the auction was a huge success.

Wayan Sudana, "Tari Arja", 120x150cm, Acrylic on canvas. sold for Rp. 65,000,000                                    Tari Arja  –  Wayan Sudana

 

“When we started our Bali auctions 10 years ago the buyers were 95% Indonesians,” said Daniel Komala CEO of Larasati Auctioneers, who was very happy with the auction’s results. “In attendance at the auction was a great mix of people, the majority non-Indonesians, and even though the Balinese traditional market is a small niche market, it is truly an international market. Our first experience with real time online platform functioned excellently and we are excited about the future prospects for the growing pool international collectors.”

Paintings by A.A Gede Anom Sukawati (b.1966 Ubud) are rarely available to either the primary or secondary markets (new works and pre-owned). Renowned as one of the finest “Young Masters” Lot #40 “Tari Joged Bumbung”, 2008, with a low estimate price between Rp. 80,000,000 – 120,000,000 sold for Rp. 180,000,000, being one of the most highly prized works of the day. Lot # 39 “Pementasan Calon Arang” by Ida Bagus Putu Sena (b.1966 Ubud) is also a work of extraordinary quality by an artists whose works are difficult to find and sold at the top end of the estimate price at Rp. 200,000,000.

Another highly sought after painting by bidders on the floor and the phone, pushing the price well above the estimated price was Lot #38 “Arja Dance” by Wayan Sudana (1966 Peliatan). This vibrant 120 x 150 cm acrylic on canvas composition sold for Rp. 65,000,000. Considered a ritual specialist from a high caste Brahmin priest family Ida Bagus Made Poleng (1915-1999 Tebesaya) had a special relationship with his paintings, calling them “his children” and rarely sold his works. The most prized of all Balinese painters, Lot #80 his “Legong Dance”, received much attention from phone bidders and sold for Rp. 750,000,000.

Gusti Nyoman Lempad, "The Witch and the Servant" Ink on paper. sold for Rp. 120,000,000 Image courtesy of Larasati                        The Witch and the Servant  –  Gusti Nyoman Lempad

 

Good buys were definitely available at the top end of the auction and Lot # 79,“The Witch and the Servant”, an ink sketch on paper by Gusti Nyoman Lempad (1862-1978 Ubud), considered ‘the’ modern master of Balinese art, sold for Rp. 120,000,000 just under the estimated price. As too was Lot # 66 “Playing Domino’s” by Ida bagus Made Nadera (1915-1989) “Playing Dominos”, estimated by between Rp.10,000,000 -15,000,000 and selling at Rp.10,000,000, Lot # 76 “Upcara Potong Gigi” Ida Bagus Made Widja (1912-1992 Batuan) selling at 18,000,000, and a glowing flora and fauna composition in the Pengosekan style Lot #65 “Harmoni Kehidupan” by Ketut Gelgel, which sold at Rp. 65,000,000. Each of these works are museum quality.

Three of the most highly coveted works in the auction all sold within their estimated prices, Lot # 77, “Blissfully Sleeping” by the maestro of wood carving from Mas village, Ida Bagus Nyana (1912-1985) at Rp.280,000,000, Lot #81 “Boy With Bamboo Stick”, by Made Sukada (1945-1982) hammered down at Rp. 105,000,000 and Lot #78 “Triwikrama” by Gusti Ketut Kobot (1917-1999) which sold for Rp. 80,000,000. Lot #75, however, by Ida Bagus Made Togog (1913-1989 Batuan) an extraordinary black and grey ink sketch on paper “Patih Lahwel” was a hot item selling at more than twice its estimate, at Rp. 40,000,0000 – a rare and special work.

“Harmoni Kehidupan” Ketut Gelgel, sold for Rp. 65,000,000. Image courtesy Larasati                                  Harmoni Kehidupan  –  Ketut Gelgel

 

For new collectors to the market there were good works by favoured artists available at low prices and it must be noted that works are obtainable via auction cheaper than buying directly from artist’s studios. A 10 year future projection of current prices would confirm that buying now is a sound investment, while researching prices from the Larasati auctions 10 years ago confirm this to be true.

Balinese traditional art offers enormous scope for the astute investor to capitalize. The prices for the old masters of Balinese art remain strong and the market is expanding in a healthy way. The fact that the market is growing slowly, yet solidly is a fine achievement for Larasati Auctioneers.

A.A Gede Anom Sukawati-"Tari Joged Bumbung". Image courtesy of Larasati                        Tari Joged Bumbung  –  A.A. Gede Anom Sukawati

 

Words: Richard Horstman

Images: Courtesy of Larasati